BEOWULF BORITT DESIGN

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Abyssinia
And The Curtain Rises
Art
As You Like It
Blithe Spirit
Captors
A Christmas Carol
Comedy of Errors
A Delicate Balance
Enter Laughing
Falsettos
The Foreigner
Forest City
Give it Up
The Glass Menagerie
The Glass Menagerie
The Happy Elf
I Am My Own Wife
The Importance of Being Earnest
It's Only Life
Last Five Years
Macbeth
Mary's Wedding
Matthew Modine Saves the
A Maze
Merry Wives of Windsor
A Midsummer Night's Dream
A Midsummer Night's Dream
The Miracle Worker
Nickel and Dimed
A Number
Pippin
St. Lucy's Eyes
The Spitfire Grill
Superman
Swinging on A Star
Talley's Folly
Tempest
Tommy
The Toxic Avenger
Tuesdays With Morrie
Working
You Never Can Tell
The Who's Tommy
by Pete Townshend & Des McAnuff
Dallas Theater Center
Kevin Moriarty, Director
2008
 
Tommy Can You Hear Me?
Health L. Williams II, Betsey Wolfe & Oso Closo
 
 
Pinball Wizard
Cedric Neal & Company
 
 
Christmas
Nehal Joshi, Heath L. Williams II, Betsey Wolfe & Company
 
 
Pinball Wizard
Christian St. John Chiles & Oso Closo
 
 
Smash The Mirror
Cedric Neal, Nehal Joshi, Betsey Wolfe & Oso Closo
 
 
Eyesight to the Blind
Heath L. Williams II, Liz Mikel, Jordan Hall & Company
 
 
I'm Free
Company
 
Set Rendering
 
 
“Scenic designer Beowulf Borrit's gritty stage set-up, which boasts three stories of catwalks, a truly panoramic width (at the stage's farthest reaches, the actors nearly walk among the audience) and even a few water-filled crevices on the stage's main floor (whose dramatic reflections and splashes only add to the spectacle), lays the base for the visual onslaught. The audience is served a complete sensory feast.”

~Pete Freedman, The Dallas Observer

 “Beowulf Borritt's scenic design is a contortion of metal, wood, and
water. A long, winding metal staircase serves as its centerpiece,
while in front is a long, dark & sinister catwalk. Anchoring the stage
is wooden platforms, but underneath is flowing water. The entire set
is framed by decaying walls with punched holes and metal beams. It's
a sublime design that allows so much of the staging to come to life.” 

~John Garcia, talkinbroadway.com