BEOWULF BORITT DESIGN

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Abyssinia
And The Curtain Rises
Art
As You Like It
Blithe Spirit
Captors
A Christmas Carol
Comedy of Errors
A Delicate Balance
Enter Laughing
Falsettos
The Foreigner
Forest City
Give it Up
The Glass Menagerie
The Glass Menagerie
The Happy Elf
I Am My Own Wife
The Importance of Being Earnest
It's Only Life
Last Five Years
Macbeth
Mary's Wedding
Matthew Modine Saves the
A Maze
Merry Wives of Windsor
A Midsummer Night's Dream
A Midsummer Night's Dream
The Miracle Worker
Nickel and Dimed
A Number
Pippin
St. Lucy's Eyes
The Spitfire Grill
Superman
Swinging on A Star
Talley's Folly
Tempest
Tommy
The Toxic Avenger
Tuesdays With Morrie
Working
You Never Can Tell
Falsettos
By William Finn & James Lapine
George Street Playhouse
David Saint, Director
2005

 

 


Mark Nelson & Malcolm Morano
 

Malcolm Morano, Mark Nelson, Anne L. Nathan, Liz Larsen, Sarah Litzsinger and Michael Winther
 
 
“Visually stunning — Beowulf Boritt’s setting, inspired by Keith Haring, is great fun.” -Naomi Seigel, The New York Times
 
“Beowulf Boritt's set includes a false proscenium frame studded with chaser lights, judiciously used, and a series of panels that rotate to reveal brightly colored images ranging from a '60s-style LOVE logo to a Rorshach blot to scenes of domestic bliss. One of the panels displays a caricature of Ronald Reagan that looms over the stage for most of Act II, as if to silently damn that benighted "leader" for his lack of response to the AIDS crisis. While Falsettos is not about accusation, this image is welcome in giving a subtle yet sharp edge to a generally excellent, emotionally honest production.” -Michael Portantiere, Theatremania