BEOWULF BORITT DESIGN

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The Accomplices
Animals Out of Paper
Anne of Green Gables
The Ark
The Blue Flower
Burning Blue
Candida
The Cherry Orchard
Class Mothers '68
Deception
The Duchess of Malfi
Emergence-See
Everythings Turning Into Beautiful
Falling For Eve
The Hallway Plays
Hank Williams: Lost Highway
How to Save the World...
In A Dark, Dark House
In-Betweens
The Last Five Years
Living in the Wind
Mindgame
Miss Julie
Once Around the Sun
The Other Side
Rats
Richard III
Roar
Rock of Ages
Romeo and Juliet
The Scottsboro Boys
Side Effects
Slut
Spain
St. Lucy's Eyes
Theophilus North
The Tin Pan Alley Rag
The Toxic Avenger
Twelfth Night
The Wind in the Willows
Wonderland
My Girlfriend's Boyfriend
Falling For Eve
by Joe DiPietro, Brett Simmons and David Howard
York Theatre Company
Larry Raben, Director
2010
 
Preset
 
Heaven
Nehal Joshi, Adam Kantor & Jennifer Blood
 
God Creates Eve
Jose Llana and Sasha Sloan
 
Garden of Eden
Jose Llana and Krystal Joy Brown
 
Eve Expelled
Krystal Joy Brown
 
Finale
Jose Llana and Krystal Joy Brown 
 
 

“Set designer Beowulf Boritt fills the small space in his customarily engaging manner.”    

~Steven Suskin, Variety

 

“The action unfolds on Beowulf Boritt's futuristic set. Prominent in his intelligent design is a gateway shaped like an eye (of God, presumably) and lollipop lamps that serve as trees.”    

~ Joe Dziemianowicz, Daily News

 

“Amusing scenery by Beowulf Boritt — the Tree of Life is partly a lava lamp.”

~Michael Sommers, NJNewsroom.com

 

“The production benefits from an unusually inventive production design. Beowulf Boritt's setting -- with its raised, revolving deck (complete with rollout lawn), set against a series of curved portals and backed by a tracking white disk -- makes for a most elegant environment. (It looks uncannily like an eye.) Other kicky touches include a Tree of the Knowledge of Good and Evil that is part lava lamp, and a series of lighting units --made of colored plastic water bottles affixed to small white globes -- that alternatively suggest the cosmos and the interior of a discotheque circa 1969.”

~David Barbour, Lighting & Sound America

 
“Beowulf Boritt has worked his usual magic with a simple yet sophisticated set design. A revolving square of artificial turf represents Eden.”
~Jennifer Farrar, AP