BEOWULF BORITT DESIGN

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The 25th Annual Putnam County Spelling Bee
LoveMusik
Rock of Ages
Sondheim on Sondheim
Two and Only
please note: this material is copyrighted and can not be used without permission. 
If you wish to use ANY part of this design, please contact Beowulf.
 
by William Finn & Rachel Sheinkin
Circle in the Square Theatre
also: 
2006-2008 National Tour
Second Stage Theatre, NYC
Drury Lane Theatre, Chicago
Wilbur Theatre, Boston
Post Street Theatre, San Francisco
Alliance Theater, Atlanta
James Lapine, Director
2005

  
My Favorite Moment of the Bee
 
 
Spelling Rules
 
 
Crepescule
 
The I Love You Song
 
 
Magic Foot
 
 
 Finale
 
 

 Off Broadway at Second Stage Theatre

 

 

Lobby Decor

 

 

Lobby Decor

 

 

Lobby Decor

 

 

Lobby Decor

 

  

National Tour

Lobby Decor - Spelling Booth

 

  

Lobby Decor

 

 

Circle in the Square Set Rendering


“In fact, the musical has managed to make lemonade from one of Broadway's most lemony spaces. The dreary basement lobby of the Circle in the Square always has resembled the cinderblock nightmare of a prefab junior high slapped together in the 1960's. Plastering it with peppy posters promoting the French club, and plaques commemorating the mock achievements of the show's creative team, the set designer Beowulf Boritt invests an antiseptic space with cheesy warmth. (Little James Lapine, now a big-shot Broadway director, got the Dewey Decimal Award from the Putnam Librarians Association.) The theater itself, with its rows of steeply raked seats arrayed like bleachers on three sides, has been cleverly transformed into a mock gymnasium, with a basketball court stenciled on a scuffed wooden floor.”
~Charles Isherwood, The New York Times


“One of the smallest Broadway theaters and arguably the most problematic space to fill, the Circle tends to work best as a venue when its elongated thrust stage is radically transformed. That aspect has informed the smart decisions made by director James Lapine and set designer Beowulf Boritt in transferring "Spelling Bee." Giving the quirky musical the semblance almost of an environmental production, Boritt has treated one of Broadway's least ornate, most institutional houses as a blank canvas, cleverly transforming it into an average American middle school. From the kids' poster art, kiosk menu and photographs of geeky young achievers (Finn and music director Vadim Feichtner among them) that adorn the lobby, to the Putnam Piranha team pennants, school sponsor banners and the relabeled Boys and Girls restrooms, the theater feels disconcertingly like a school auditorium. And the actual set is now even more clearly defined as a gymnasium/basketball court, drolly identified on a large banner as a Bully-Free Zone.”
~ David Rooney, Daily Variety